My favourite piece is actually set just before my story, Death and the Nightingale. Erik plans to take Christine to a party in the catacombs, and, as she prepares, she wonders who they will encounter in such a dark place . . .
The Phantom leads Christine through his passages in the Opera house. She knows nothing of the world hidden below and within the building. Erik made her from clay taken from a Swedish beach, and a gypsy spell brought her to life . . .
In Masks, Christine asked Erik to show her his collection of masks. Some are hideous and strange, while there is one the Phantom is desperate to hide . . .



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